Showing posts with label talent. Show all posts
Showing posts with label talent. Show all posts

Tuesday, 7 January 2014

Enlightenment

siftingthepast_kitchen-still-life-floris_gerritsz-van-schooten_
Still life by Dutch painter Floris Gerritsz van Schooten  1590 – 1655


England, in the spring of 1574, saw a greater number of monks and pilgrims than usual, making their way from one shrine to the next in search of religious enlightenment. Many of them called for food and shelter at abbeys, monasteries and religious houses dotted throughout England. Waltham Abbey, in the country of Hertford, came in for its share of travellers, where a ready source of helpers came from the Refuge for Orphans, which was part of the abbey community.

Austin Kilby, a name given to him when he first arrived at the abbey nine years before, was one of these orphan helpers. His father, Raymond Kilby, was killed aged 27 whilst felling a tree, while his mother, Beatrice Kilby, died of consumption aged 32. Austin was their only child and was initially taken into a Church of England Home of Compassion where he learnt the alphabet and extended his knowledge a little of the written word. Then, no longer willing to care for him, the Home of Compassion sent him to Waltam Abbey. Now in his fifth year as pot-boy in the abbey kitchen he survived from one savage day to the next, amidst the kicks and blows from Jane Macey, in charge of the kitchen, and Edwin Cox, the cook. There was nothing unusual in the treatment the boy received in that environment ―dedicated to Christianity though it was ― it would take some time for enlightenment of any kind to reach those dark corners.

It was Thursday, two weeks before Easter, and preparations for the evening meal were well under way. In just over two hours the guests in the great hall would be served. The boy felt the tension in the two or three steps he’s taken on returning to the kitchen before a fierce grip took a sudden held of his shoulder. As he was spun around, he caught a glimpse of a female face distorted in anger, and something clenched in her fist, but it was too late to avoid the blow. Then the pain began to explode around him. It was his bad luck to have dawdled too long in feeding the kitchen scraps to the fowls. Jane Macey was in a vicious mood and the blows from the heavy wooden spoon caught him full across his face and around his head and shoulders.
“That’ll teach yer to get back quick when I tells yer. Now get them pots on the bench cleaned up afore I fetches yer another reminder.” She stamped off breathing heavily but smiling grimly, pleased with herself that she’d given the brat something to think about.

Thinking was not on Austin’s mind just then; only that he felt a grey cloud descend upon him and consciousness slip away as he fell with a thud to the cold stone floor. Nor was he aware that the cook grabbed his collar and shoved him into the cellar, slamming the door without another thought as to the boy’s condition. And that’s where he stayed for the next few hours. No one cared. He was entirely and completely at their mercy. And mercy was something Jane Macey, Edwin Cox and almost everyone within the boy’s small world knew nothing about.

When consciousness returned, his tongue – sore and tender – explored his lips and gums, cut and bruised by the beating. A little later, his fingers moved carefully over his swollen cheeks and ears; felt the dried blood around his nose and mouth, and though he tried, he failed to hold back a sudden flow of tears that began streaming down his face. For a few months his slight frame shook with sobs. Then, somehow, in the midst of all his misery, lying there in the darkness he allowed the flicker of a smile to cross his face as he thought to himself: Just as well she’d been too busy to give time to the beating. Austin knew he’d come off lightly this time, for he’d suffered far worse in the past.

The knowledge that he would be safe there until they opened the door was some consolation. The second time he’d been flung into the cellar after a beating, he’d found several vents around the top of the wall that enabled him to hear interesting conversations. Behind that wall was where the Rector, Edmund Busby, taught the privileged children of the abbey community. So Austin, eager to acquire knowledge where he could, set himself to learn as much as possible, and concentrate on what was being taught. He discovered his mind was like a sponge, taking in and comprehending information as rapidly as it was delivered. He took to going down there whenever the opportunity arose, learning to think and use his brain and memory to fill in the gaps, and jogging his memory to the early teachings he’d received as a child at the Home of Compassion after his parents died. He had to use his memory, for he’d neither paper to write on, quill to write with, nor books to read. The process helped him forget his aches and pains, and his time spent in the cellar ― by choice or as punishment ― saw that he received almost as good a foundation in Latin and other subjects as any of those privileged to be with the Rector. Quite some time would pass before he found anyone with whom he could talk or discuss the things he’d learned. To everyone around him, he was just an ignorant pot-boy, yet he was rapidly becoming the most enlightened among them.

Austin began to see himself differently. He knew that by keeping his ears and eyes open and using his mind he could learn as well as most of the residents who dined in the great hall of the abbey or travelled through on some pilgrimage or other business. It was this aspect of his character which, Owen Roberts, librarian at the abbey, discerned when the boy was brought before him one day.

It happened that Austin had been helping to unpack some baggage for a group of monks on their way to Lambeth; a task he’d been given now that he was older and that he didn’t mind since it meant that he was out of the kitchen for a while. At some point he’d paused to glance through a book left open on one of the bags. It so entranced him that he failed to notice Clifford Baldwin, the assistant librarian, observing him with keen interest from a window above. Jane Macey was also watching him as she walked past, with a dark look of venom on her face. The look gradually changed to a sneer as she headed for the kitchen. It was obvious she had something bad in mind for him as she flung open the kitchen door. The cook, Edwin Cox ― though used to her tirades ― was taken by surprise, as red in the face, she launched into an angry outburst.
“I’ll do for the brat this time, Edwin! I just seen im poking his nose into books as belongs to is betters. Now what do ‘ee think o that? There’s something about im as tells me ees got ideas above is station. I’ll fix im, see if I don’t!” And out she stormed, heading in the direction of the library.

The following day, Jane Macey watched Austin with narrowed eyes as he was taken from the kitchen and hustled off in the direction of the library. After his face was given a quick wipe with a damp cloth he was made to stand before the librarian.

“Well now, Master Austin, do you know who I am?”

Austin glanced up briefly, look the speaker in the eyes, and nodded respectfully before lowering his gaze again.

“It seems you’ve been deceiving us all. What’s this I hear about you reading books? Is it true?”

The voice of Owen Roberts was matter of fact, and conveyed only that he didn’t believe what he’d been told.

“Come on lad, speak up!”

Austin had never been addressed as ‘Master’ before, and found some encouragement in the fact as he answered: “I…I…Well, I suppose it must be true. Yes, sir.”

“Now what kind of talk is that? You mean to say you don’t know if you can read, when my assistant clearly saw you reading only yesterday? Come now, what say you?”

“Well sir, it’s true I did look at a book. I didn’t mean any harm or disrespect by it, sir, I … I didn’t.”
“Could you tell me anything about this book you looked at, Master Austin?”

“Yes sir, I read from one of the psalms, from the Bible.”

As he questioned further, Owen Roberts could scarcely believe the astute answers given by the pot-boy, and felt in his heart that he could in no way admonish the lad, now close on 14 years of age, he’d been told. His voice softened as he said, “Right then, Austin. I want you to choose a book from these on my desk. Open it and read something to me.”

With no mention of punishment in store for him, Austin began to relax. He picked up a book and began to read:

“Eighth August, 1501: Christina O’ the Grene, by spe..cial favour, has licence to marry, for which the lord, wai..ving the cus..to..mary mer…chet, is pre..pared to accept only 12 pence. William Pictor, who has pre..vi..ous..ly done fealty, and ack..now..ledged his services, now produces a char…ter, by which he an..ces..tors held their an..cient te.ne..ment. In return…”

“Yes, that’s fine, Austin. Now tell me, what is that extract from?”

Austin was confused, and must have looked it.

“I meant to say, look back through the pages and find the title for that piece. Can you do that?”

“Yes, sir,” Austin replied, pleased that he understood what was required of him. He looked back through the pages, then said, “It’s an extract from the Rom…sley Court Rolls, sir. Though I do not know properly what that means. I’m sorry, sir.”

Owen Roberts sat back in his chair with warm delight; a quiet, amused smile on his face. Never had he met with such an open and honest display of intelligence. Something would have to be done about Austin Kilby. He posed a danger ― a danger to himself and a danger to the abbey community ― should his desire and ability for learning exceed the bounds of the narrow acceptability that reigned therein. Such learning as the pot-boy exhibited could easily give rise to rumours that it must be of the devil. He must take pains to prevent that happening, for the likes of bright young Austin Kilby, seldom, if ever, had been heard of around Waltham Abbey or the whole county of Hertford for that matter.

A few days later, Austin was told to collect his few possessions from the corner of the storehouse where he slept, and was escorted to the gatehouse. No one spoke to him there but a few workers he’d come to know by sight around the abbey looked at him strangely as they came and went about their business. They knew that the sheriff of the county was due to see the pot-boy, but why and what would happen, they did not know. When the sheriff did arrive, he saw his stepson taken over the kitchen with someone from the abbey staff, before calling on Owen Roberts. He left a short time later with Austin and a letter sealed with the Abbot’s seal.

In the kitchen, with the pot-boy taken off their hands (and them none the wiser), Jane Macey and Edwin Cox found their work load had increased. They were not happy. About mid-afternoon, they were suddenly interrupted in their work by a visit from the under-secretary to the Abbot, and another strongly built man. The under-secretary informed them that since they’d lost the services of the pot-boy, Roger Borden, stepson of the sheriff, would fill the post. Though simple-minded he was, if treated right, was pleasant, willing and capable. He’d work a little slower than Austin but he was very thorough, and they were assured he’s had every pot, cooking dish, shelf, floor and wall as clean as ever. Being physically very strong they must never attempt to strike him or raise their voice to him, nor to anyone else who happened to be around when he was there. The abbey authorities would take no responsibility for what he might do to them should they not heed their warning.

Meanwhile, in the coach bearing him towards a private tutor in Hertford, Austin, under the patronage of the Abbot of Waltham Abbey, immersed himself in one of the books gifted to him by Owen Roberts. The sheriff too shared in the dawning enlightenment, but was not to know however, that a few years later on the eve of obtaining his authorisation as head librarian at Westminster Abbey, a stroke would suddenly rob him of his life. An injury he’d received whilst he’d worked, suffered and learned under the savage tutelage that held sway in the kitchen of Waltham Abbey, caused a blood vessel to burst in his brain, and his life was ended in an instant.

In an age crying out for the kind of enlightenment he could have found, he was just another ordinary but gifted human being, where patronage was ignored denied or came too late.

Dennis Crompton © 1994

Thursday, 21 November 2013

A real artist

nude

It must be said that most members of the Arts Council in our small town have something of a stubborn streak about them. You'd agree if you met them. One of them believed that arts meant culture with a capital K. It was there in bold letters on the opening page of the minute book. This member wasn't that hot on spelling and didn't bat an eye when I pointed the error out to her. Just nodded her head and rasped in a smoky voice: “Bugger off, smart arse,” planting the heel of her stiletto onto my left foot for emphasis. I got the point and formed the impression she was a paratrooper instructor filling in as Minutes Secretary, possibly as a punishment for bad language on the parade ground. There's equal rights for you.

The chairperson, Mrs Millicent Pemberton-Jones had real flair in making a cock-up of things, aided and abetted by all but one of her committee.

Before the meeting started I had time to read the notes re the painting covered by a cloth on an artist’s easel behind the chairperson. She'd chosen it from a number submitted by artists in the district and expected it to be approved before the meeting ended. It would have been, except for Mrs Robertson, otherwise known as Jenny.

Jenny had been voted onto the Arts Committee by my astute editor, keen on livening things up a bit and she was the reason I was there that night. He'd suggested the previous reporter chat up the Minutes Secretary for inside information and get her private view of things. Silly man. She gave him private all right. He'd not been well after the meeting and was still limping badly to boot. But I digress. Jenny took her place at meetings and said little for the first six months, luring the chairperson into thinking he had her sewn up and in the bag like the rest of the committee. Pity. It blew her a mention in the New Year Awards and trip to Government House.

Jenny had a quiet, winsome way about her. An artist in her own right, she could throw a pot on the wheel with the best of them. She had also, on the odd occasion, thrown the wheel as well. However, it was the startling freshness of her pottery, painting, cake decorating, quilt and home made wine making that won the day for her. A group of supporters who enjoyed her unusual way of doing things gathered around her; a group who packed quite a collective wallop. What the stiff backed, straight laced, long-nosed, hoity-toity so-called arty folk on the arts council needed, they suggested to her, was a “cultural shock”. Not just your average run-of-the-mill one either. A bobby-dazzler was needed. Jenny agreed and planned to deliver one at the next committee meeting, the one my editor had deviously assigned to me.

Mrs Millicent Pemberton-Jones was at her boring best that night. Owner of the Artist’s Palette Studio she was considered something of an artist by her mother, the milkman and two express seed delivery men from out of town. Just before the meeting ended, she removed the cloth from the painting, with the intriguing title: 'After-thoughts’. “This work,” she said in the confidential tone she used when elevating herself in conjunction with whatever she was promoting, “This work, commissioned by the proprietor of the Light and Bouncy Gym for ladies, is the one I recommend for the art award this year.” I contemplated asking her to place it the right way up but refrained after I'd pretending to tie my shoe-lace, and from an upside down position found it was still beyond comprehension.

She allowed some time for the animated discussion to subside before asking Jenny for her opinion. A cunning move. Several had already commented loudly on how wonderful the item was. Surely it would have been churlish for anyone to say otherwise. It was at this point that Jenny thought one of her many indelicate thoughts, the kind that makes you laugh inwardly when you're with company, but outwardly and with considerable gusto when you're on your own. Jenny knew from past experiences that telling it like it is could mean she'd get rather damp. Pissing against the wind tends to have that effect. She even pictured how and why this happened before dismissing it from her mind.

As she rose to her feet her coat slipped open and I knew I had a hum-dinger of a front-pager. All talking stopped immediately and the room fell silent. In that one act, Jenny, a real artist had succeeded in receiving the undivided attention of the whole committee in such a way that Mrs Millicent Pemberton-Jones had never done before. I forgot to mention that another of Jenny's achievements was painting on satin. The dress she wore was satin. Satin and flesh-coloured. Satin, flesh-coloured and sporting two superb likenesses of the female breast. So life-like in fact that at first glance I believed them to be her very own. “Now that I've got your attention Madame Chairperson,” she said smiling, her diction clear, her voice lilting, her eyes sparkling and her dress stunning, “I don't know how or by what criteria you rate something to be worthy of an award. I have my own, natural ideas, and…” indicating towards the picture, added, “…in my opinion, that is not art.”

Three male members of the committee burst into spontaneous applause along with several members of the public. A couple of portable phones appeared and someone offered a drink of water to the chairperson. She needed it, especially when Jenny walked up to the front, removed her coat and turned to look at the painting. Talk about your pièce de résistance. This was a beauty or they were beauties, depending on your point of view. Two life-sized buttocks painted on the back of the soft material shimmered life-like as Jenny moved slightly this way and that in the manner of female models the world over. Oh yes. It was art at its best and spelt the end for Mrs Millicent Pemberton-Jones.

For Jenny, it was a new beginning. What clinched it was the comment she made just before she returned to her seat and the meeting ended. She appeared to have an after-thought, beamed at everyone, smiled coquettishly and murmured softly, “I would like to point out that I've merely applied a little reverse order to my satin painting. You do realise, everyone here tonight, that we are entirely au naturel under our clothing?”
Changes were made, of course. A new committee was elected, with Jenny as Chairperson, and the way was now clear for art to breathe again. I'll leave you to guess who and what won the award. Jenny did enjoy her holiday in Tahiti. Fell in love with a sensitive new age guy, who like herself was into “interesting dressing” as a hobby. Lovely, eh?

Dennis Crompton © 1998
(first published www.denniscrompton.wordpress.com 2013)